Studio Stream

With Vero D Orozco, Joseph Losinski, Sergio Mantilla, Laura Cardozo, Ed Diaz Trujillo, 8/3/18

_P1040519

We’re working out language – playing a game, making a game, devising game figures

_P1040710

Taking a bow

Workshop_poem_final_alt_lace

Later, playing with composites

 

With Vero D Orozco, Ed Diaz Trujillo, Giannella Ysasi, 7/16/18

 

With Vero D Orozco, Joseph Losinski, Ed Diaz Trujillo, Caroline Ng, 6/18/18

 

With Kenneth Bailey, Judith Leemann, Billie Lee, Poor Farm after party, 6/30/18

jbka

Link to work we do together

 

With Tracie Hall and DeAmon Harges, Artist as Problem Solver Convening, comparing notes follow-up, 6/6/18

_IMG_6117_IMG_6126DeAmon was at the convening as “Roving Listener” and shared his observations and responses at the end. Here he reacts to a visual element of my response, one of a series of layered drawings. More about DeAmon’s work here.

Artist as Problem Solver Convening, Joyce Foundation, Indianapolis, March 2018

IMG_5405 (1)

summary of convening notes

IMG_5577

Convening notes as Fractal 3-Line Matrix

Read linear notes here

Convening participants and topics

 

Wearing the Braid

 

With Asha Veal, Nicolas Melo, Dio Aldridge, Walking the Braid, 12/9/17

 

With Asha Veal, Greg Ruffing, Walking the Braid, 11/11/17

 

The Talking Whiteboards Studio Project, Summer 2016

Most participants in this project engaged The Braid whiteboard, exploring their own modes of working while taking cues from the categories it displays. The Braid diagram emerged earlier this year from my ongoing conversations with artists about their practices.

Mark_Judd

Posts 1, 2, 3, 4

Final Talking Whiteboards edits on vimeo channel 

 

How do you work? Conversations with experimental musicians, composers, and visual artists about their practices, followed by my visualizations of the conversations. In turn, artist’s respond to the visualizations. Since conversations happen in many different places, some of the responses later take place long-distance. Included here are responses that took place in my studio, and in one case, at a studio I had use of during a residency.

Visualizations, seen on the wall behind the artists or musicians, come in two versions – a freely composed scenario (left), and text entered into a Fractal 3-Line Matrix (right). Responses tend to be offered in the artist’s own medium.

05_Mers_James Falzone feedback session

With James Falzone, who responded to visualizations of our How do you work? conversation. Shown is a composite image of documentation.

09_Mers_Ken Vandermark feedback session

With Ken Vandermark, who responded to visualizations of our How do you work? conversation. Shown is a composite image of documentation.

02_Mers_Tomeka Reid feedback session

With Tomeka Reid, who responded to visualizations of ourHow do you work? conversation, at the Roger Brown Studio in New Buffalo, Michigan. Shown is a composite image of documentation.

Klement composite2_flat copy

With Katharina Klement, who responded to visualizations of our How do you work? conversation. Also participating, Lynn Book. Shown is a composite image of documentation.

Mallozzi composite copy

With Lou Mallozzi, who responded to visualizations of our How do you work? conversation. Shown is a composite image of documentation. More about this conversation is published with Chicago Artist Writers, here.

duignan_composite copy

With Jim Duignan, who responded to visualizations of our How do you work? conversation. Also participating, Katya Balueva. Composite image of documentation. Shown is a composite image of documentation.

Eric Leonardsen

With Eric Leonardson, who responded to visualizations of our How do you work? conversation. Shown is a composite image of documentation.

More about the ongoing series of conversations, visualizations and responses.

Goat Island_North

Inaugurating the newly renovated studio space with a conversation about attending and engagement, with Lin Hixson, Matthew Goulish, K.J. Holmes and Sarah Skaggs, 1/27/2016

%d bloggers like this: